TitelseiteDieterich Buxtehude (~1637-1707)
VII. Suonate à doi, Violino & Violadagamba, con Cembalo, Opera prima. Hamburg ~1694

for violin, viola da gamba, and harpsichord

Preface Reviews [in German version] Sample page CDs [in German version] 2nd sample page Errata / Addenda Deutsche Version

Editor: Günter and Leonore von Zadow, publication date: 2006-11, introduction: Thomas Fritzsch, continuo realisation: Angela Koppenwallner, source: RISM: S-Uu Utl.instr.mus.tr.52:1-4

Order information

G091D. Buxtehude, VII. Suonate à doi, BuxWV 252, Sonata in F major op.1,1, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 44 p., ISMN 979-0-50174-091-817.50 €[+]
G092D. Buxtehude, VII. Suonate à doi, BuxWV 253, Sonata in G major op.1,2, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 40 p., ISMN 979-0-50174-092-517.50 €[+]
G093D. Buxtehude, VII. Suonate à doi, BuxWV 254, Sonata in A minor op.1,3, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 44 p., ISMN 979-0-50174-093-217.50 €[+]
G094D. Buxtehude, VII. Suonate à doi, BuxWV 255, Sonata in B-flat major op.1,4, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 44 p., ISMN 979-0-50174-094-917.50 €[+]
G095D. Buxtehude, VII. Suonate à doi, BuxWV 256, Sonata C major op.1,5, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 48 p., ISMN 979-0-50174-095-617.50 €[+]
G096D. Buxtehude, VII. Suonate à doi, BuxWV 257, Sonata D minor op.1,6, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 44 p., ISMN 979-0-50174-096-317.50 €[+]
G097D. Buxtehude, VII. Suonate à doi, BuxWV 258, Sonata E minor op.1,7, V+VdG+Bc, score, 3 parts, 2nd score with realisation, 44 p., ISMN 979-0-50174-097-017.50 €[+]
G118D. Buxtehude, VII. Suonate à doi, BuxWV 252-258, op.1 complete, V+VdG+Bc, each: score, 3 parts, 2nd score with realisation, 312 p., ISMN 979-0-50174-118-2105.00 €[+]

Description

Whereas in Reincken's Hortus musicus the viola da gamba mostly remains in the bass register and frequently doubles the continuo part, Buxtehude offers the instrument more diverse duties: occasionally it doubles the continuo part, or rather embellishes it, and forms a two-part texture with the violin; then, on the other hand, the viol plays completely independent of the continuo part in the alto register, so that a three-part texture is created together with the violin and harpsichord. Our edition consists of a score of the three original parts, three part booklets, and a separate score with a continuo realisation.

Errata / Addenda

[23.04.07] G093 page 7
G093, page 7, bar 17, viola da gamba, first two notes (IS b-c', SHOULD BE a-b)
G093B, page 1, bar 17 likewise
G093D, page 2, bar 17 likewise

[07.05.07] G094 page 10
G094, page 10, bar 61, viola da gamba, fifth note (IS a, SHOULD BE b-flat)
G094B, page 2, bar 61 likewise
G094D, page 6, bar 61 likewise